![\"bv\"](\"https:\/\/architettoveronesi.it\/wp-content\/uploads\/2015\/08\/bv-300x300.jpg\")
<\/strong><\/h5>\n1989 MASTER’S DEGREE IN ARCHITECTURE, POLITECNICO IN MILAN – (DEGREE\u00a0COURSE 4\/S\u00a0ARCHITECTURE AND ENGINEERING) VOTE: 100\/100<\/p>\n
1990 PROFESSIONAL QUALIFYING EXAMINATION<\/p>\n
1992 ENROLMENT TO ARCHITECT REGISTER<\/p>\n
1994 ENROLMENT TO THE REGISTER OF TECHNICAL COURT EXPERTISE<\/p>\n
1998 SECURITY MEASURES DIRECTOR IN THE BUILDING SITES UNDER THE CLAUSE D.L. 494\/96<\/p>\n
1990-2001 collaboration at the project department of architecture of Politecnico in Milan as tutor at project seminars and supervisor graduation thesis.<\/p>\n
1990-1992 works at studio Gregotti Associati International and at the same time takes part in international planning concourse and carries out journalistic activity in architectural magazines.<\/p>\n
In 1992 opens StudioVeronesi, head office in Milan, driving her attention to planning and site supervision of public works and in particular in the redevelopment of historical areas. At the same time, she has a specialization in Lighting Design, developing lighting projects for important Italian monuments, urban areas and lighting urban masterplan.<\/p>\n
Supervisor at conventions about illuminating engineering, university professor in specialistic Masters and art director in installations and personal exhibitions. She carries on the journalistic activity with the running and writing of TV programs about urban development.<\/p>\n
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<\/p>\n
PROJECTS AND WORKS<\/strong><\/h5>\n\n\n\n1991<\/td>\n PRIVATE BUILDING RENOVATION AND INTERIOR DESIGN.\u00a0 BRESCIA<\/td>\n<\/tr>\n \n1993<\/td>\n \u00a0\u201cPAKY-M.350\u201d ARMCHAIR FOR CINEMA AND THEATRE<\/td>\n<\/tr>\n \n1993<\/td>\n TOWER RENOVATION IN GALLARATESE DISTRICT .\u00a0 MILAN<\/td>\n<\/tr>\n \n1993<\/td>\n VERCESI DISTRICT RENOVATION .\u00a0 MILAN<\/td>\n<\/tr>\n \n1993<\/td>\n CIALDINI DISTRICT RENOVATION .\u00a0 MILAN<\/td>\n<\/tr>\n \n1993<\/td>\n FOLDING CHAIR<\/td>\n<\/tr>\n \n1994<\/td>\n PRIVATE BUILDING RENOVATION.\u00a0 MILAN<\/td>\n<\/tr>\n \n1994 – 1995<\/td>\n REDEVELOPING OF 100 HISTORIC LODGINGS .\u00a0 VENICE<\/td>\n<\/tr>\n \n1995<\/td>\n LIGHTING DESIGN CATHEDRAL\u2019S DOME\u00a0 .\u00a0 FLORENCE<\/td>\n<\/tr>\n \n1995 – 1996<\/td>\n REDEVELOPING OF 80 LODGINGS IN STADERA DISTRICT .\u00a0 MILAN<\/td>\n<\/tr>\n \n1996<\/td>\n LIGHTING DESIGN BEATA VERGINE ASSUNTA CHURCH\u00a0 .\u00a0 PIURO<\/td>\n<\/tr>\n \n1996<\/td>\n LIGHTING DESIGN S. GIORGIO AL VELABRO CHURCH\u00a0 .\u00a0 ROME<\/td>\n<\/tr>\n \n1996<\/td>\n SAPORITI ITALIA EXHIBITION \u201cBARBARA VERONESI – OLTRE LA LUCE\u201d .\u00a0 MILAN<\/td>\n<\/tr>\n \n1995-1996<\/td>\n REDEVELOPING OF 60 LODGINGS IN NIGUARDA DISTRICT\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n1997<\/td>\n LIGHTING DESIGN S. MARIA DEL FIORE CATHEDRAL .\u00a0 FLORENCE<\/td>\n<\/tr>\n \n1997<\/td>\n LIGHTING DESIGN S.GIOVANNI BAPTISTERY .\u00a0 FLORENCE<\/td>\n<\/tr>\n \n1998<\/td>\n LIGHTING DESIGN CA\u2019 CONTARINI PALACE.\u00a0 VENICE<\/td>\n<\/tr>\n \n1998<\/td>\n LIGHTING DESIGN MERLONI PROGETTI HEADOFFICE\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n1998<\/td>\n CUTLERY COLLECTION<\/td>\n<\/tr>\n \n1998<\/td>\n REDEVELOPING OF 60 LODGINGS .\u00a0 MONZA<\/td>\n<\/tr>\n \n1998 – 2001<\/td>\n NIGUARDA DISTRICT RENOVATION (1ST <\/sup>PHASE)\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n\n1999<\/td>\n LIGHTING DESIGN PORTA GARIBALDI\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n1999<\/td>\n LIGHTING DESIGN PORTA NUOVA\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n1999<\/td>\n LIGHTING DESIGN PORTA VOLTA\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n2000<\/td>\n SCHOOL DISTRICTS REBUILDING\u00a0 .\u00a0 BRIGNANO GERA D\u2019ADDA<\/td>\n<\/tr>\n \n2000<\/td>\n LIGHTING SYSTEM PALESTRO PUBLIC PARK.\u00a0 MILAN<\/td>\n<\/tr>\n \n2001<\/td>\n LIGHTING DESIGN STATE UNIVERSITY\u2019S LIBRARY\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n2002<\/td>\n LOCAL LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 LUMEZZANE<\/td>\n<\/tr>\n \n2002<\/td>\n LOCAL LIGHTING DESIGN \u2013 URBAN PLANNING .\u00a0 CASSINA DE PECCHI<\/td>\n<\/tr>\n \n2002<\/td>\n LIGHTING DESIGN AVOGADRO TOWER .\u00a0 LUMEZZANE<\/td>\n<\/tr>\n \n2002<\/td>\n PRIVATE BUILDING RENOVATION\u00a0 .\u00a0 COMO<\/td>\n<\/tr>\n \n2004<\/td>\n PRIVATE BUILDING RENOVATION AND INTERIOR DESIGN.\u00a0 SALO\u2019<\/td>\n<\/tr>\n \n2002 – 2007<\/td>\n NIGUARDA DISTRICT RENOVATION (2nd <\/sup>PHASE)\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n\n2003<\/td>\n LOCAL LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 CADORAGO<\/td>\n<\/tr>\n \n2003<\/td>\n LOCAL LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 LURAGO D\u2019ERBA<\/td>\n<\/tr>\n \n2003<\/td>\n LOCAL LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 ALZATE BRIANZA<\/td>\n<\/tr>\n \n2003<\/td>\n LOCAL LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 CASTELMARTE<\/td>\n<\/tr>\n \n2003<\/td>\n LIGHTING DESIGN NEW SUBWAY LINE \u201cMILANO – SESTO S.G – CINISELLO BALSAMO\u201d\u00a0 .<\/td>\n<\/tr>\n \n2003<\/td>\n LIGHTING SYSTEM \u201cMILANO – SESTO S.G. – CINISELLO BALSAMO\u201d<\/td>\n<\/tr>\n \n2003<\/td>\n LIGHTING DESIGN URBAN DISTRICTS\u00a0 .\u00a0 CASSINA DE PECCHI<\/td>\n<\/tr>\n \n2003<\/td>\n LOCAL LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 CANT\u00d9<\/td>\n<\/tr>\n \n2003 – 2004<\/td>\n CITY SQUARE AND SCULPTURE\/FOUNTAIN \u201cCADUTI DI NASSIRIA\u201d\u00a0 .\u00a0 BRIGNANO GERA D\u2019ADDA<\/td>\n<\/tr>\n \n2004<\/td>\n \u201cAQUEODESIGN\u201d LOGO AND CORPORATE IMAGE<\/td>\n<\/tr>\n \n2004<\/td>\n LIGHTING DESIGN \u201cMONUMENTO AI CADUTI DI TERRAGNI\u201d\u00a0 .\u00a0 ERBA<\/td>\n<\/tr>\n \n2004<\/td>\n LIGHTING DESIGN GOVERNMENT HERITAGE OFFICES\u00a0 .\u00a0 ROME<\/td>\n<\/tr>\n \n2004<\/td>\n PRIVATE BUILDING\/ATELIER RENOVATION\u00a0 .\u00a0 PARIS<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 BRUGHERIO<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 FAGNANO OLONA<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 BARASSO<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 CASSANO MAGNAGO<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 CITTIGLIO<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 LONATE CEPPINO<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 UBOLDO<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 VALGANNA<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 VIGGI\u00d9<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 GALLIATE LOMBARDO<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 TAINO<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 VENEGONO INFERIORE<\/td>\n<\/tr>\n \n2004<\/td>\n MASTERPLAN LIGHTING DESIGN \u2013 URBAN PLANNING\u00a0 .\u00a0 VENEGONO SUPERIORE<\/td>\n<\/tr>\n \n2005<\/td>\n ACQUEODESIGN STAND, 87th<\/sup> MIPEL\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n\n2005<\/td>\n LIGHTING DESIGN GALLERIA MAIMERI\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n2005<\/td>\n LIGHTING DESIGN SHOOTING RANGE \u2013 2005 WORLD CHAMPIONSHIP.\u00a0 MILAN<\/td>\n<\/tr>\n \n2005<\/td>\n AQUEODESIGN STAND, 88th<\/sup> MIPEL\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n\n2005<\/td>\n GREENWOOD STAND, MACEF 2005\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n2005<\/td>\n LAURA BIAGIOTTI\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2005 – 2006<\/td>\n REBUILDING FELTRINELLI EX-HOSPITALIZATION.\u00a0 GARGNANO<\/td>\n<\/tr>\n \n2006 – 2008<\/td>\n REBUILDING TORRE 37 IN GRATOSOGLIO DISTRICT .\u00a0 MILAN<\/td>\n<\/tr>\n \n2006<\/td>\n AQUEODESIGN STAND, 89th<\/sup> MIPEL\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n\n2006<\/td>\n AQUEODESIGN STAND, 90th<\/sup> \u00a0MIPEL\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n\n2006<\/td>\n MOIA STAND, SPOGA 2006\u00a0 .\u00a0 FRANKFURT<\/td>\n<\/tr>\n \n2006<\/td>\n LAURA BIAGIOTTI\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2007<\/td>\n AQUEODESIGN STAND, 91th<\/sup> MIPEL\u00a0 –\u00a0 MILAN<\/td>\n<\/tr>\n\n2007<\/td>\n AQUEODESIGN STAND, 92th<\/sup> MIPEL\u00a0 –\u00a0 MILAN<\/td>\n<\/tr>\n\n2007<\/td>\n LAURA BIAGIOTTI\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2007<\/td>\n KNIRPS INTERNATIONAL COLLECTION<\/td>\n<\/tr>\n \n2008<\/td>\n STANDS AQUEODESIGN, 93\u00b0 MIPEL\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n2008<\/td>\n STANDS AQUEODESIGN, 94\u00b0 MIPEL\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n \n2008<\/td>\n THE BRIDGE\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2008<\/td>\n BYBLOS\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2008<\/td>\n LAURA BIAGIOTTI\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2009<\/td>\n AQUEODESIGN STAND, 95th<\/sup> MIPEL\u00a0 .\u00a0 MILAN<\/td>\n<\/tr>\n\n2009<\/td>\n GATTINONI\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2009<\/td>\n THE BRIDGE\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2009<\/td>\n LAURA BIAGIOTTI\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2010<\/td>\n FLAGHSHIP STORE . ROME<\/td>\n<\/tr>\n \n2010<\/td>\n LAURA BIAGIOTTI\u00a0FASHION ACCESSORIES COLLECTION<\/td>\n<\/tr>\n \n2004 – 2018<\/td>\n AQUEODESIGN\u00a0CREATIVE DIRECTOR<\/p>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
COLLABORATIONS<\/strong><\/h5>\n\n\n\n1990<\/td>\n PRELIMINARY DRAFT OF\u00a0 TARANTO GRANDE VIABILIT\u00c0 (SnamprogettiSud with arch. Giorgio Goggi)<\/td>\n<\/tr>\n \n1990<\/td>\n REBUILDING PROJECT AREA FORTE DI FUENTES .\u00a0 COMO (with arch. Giorgio Goggi)<\/td>\n<\/tr>\n \n1990<\/td>\n SOUND RESEARCH FOR BUILDINGS INVOLVED IN THE ISOPHONIC CURVES IF THE MALPENSA 2000 PROJECT (S.E.A\u00a0 Malpensa\/Centro Edile)<\/td>\n<\/tr>\n \n1991<\/td>\n CONTEST \u201cMILANO PROJECTS 1991\u201d : \u201cSCALO FARINI: THE SECOND LIMIT OF THE PARK. 4 CHARACHTERS IN GIANT ORDER\u201d (chief prof. Enrico Mantero\/prof. Luigi Chiara).DISPLAYED AT\u00a0 THE FAIR \u201cMILANO, PROGETTI PER UNA CITTA\u2019\u201d \u2013 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n CONTEST \u201cTHE IMPOSSIBLE PROJECT\u201d FOT THE REBUILFING OF THE EX- SUGAR FACTORY ERIDANIA IN PARMA, ORGANIZED BY ISTITUTO GRAMSCI (with arch.. Elisabetta Terragni) \u2013 WINNING PROJECT 2nd PRIZE<\/td>\n<\/tr>\n \n1992<\/td>\n INTERNATIONAL CONTEST ON INVITATION FOR THE ENGEENEERING OF THE DIRECTIONAL \u00a0AND FINANCIAL HEADQUARTER OF GARIBALDI-REPUBBLICA AREA ORGANIZED BY \u00a0COMUNE DI MILANO AND AIM (chief \u00a0prof. Giulio Redaelli).\u00a0 PUBLISHED IN \u201cPROGETTI PER MILANO \u2013 CONTEST FOR THE IDEAS OF DIRECTIONAL\u00a0 AND FINANCIAL HEADQUARTER OF GARIBALDI-REPUBBLICA AREA \u201d ED. ABITARE \u2013SEGESTA, MILANO 1992<\/td>\n<\/tr>\n \n1992<\/td>\n CONTEST \u201cREBUILIDING AND DEVELOPMENT OF LECCO \u00a0LAKESIDE\u201d (with arch. Elisabetta Terragni)<\/td>\n<\/tr>\n \n1992<\/td>\n EXECUTIVE PROJECT \u201cCASA DELLA RESISTENZA\u201d .VERBANIA (with Engeneer Mercandino)<\/td>\n<\/tr>\n \n1990 . 1992<\/td>\n COLLABORATION AT \u00a0STUDIO GREGOTTI ASSOCIATI INTERNATIONAL FOR THE FOLLOWING PROJECTS:<\/p>\n.\u00a0 POLITECNICO DI TORINO EXPANSION<\/p>\n
.\u00a0 SCIENCE DEPARTMENT AT STATE UNIVERISTY OF MILANO – POLO TECNOCITY PIRELLI BICOCCA<\/p>\n
.\u00a0 DETAILED PLAN \u201cSPINA CENTRALE\u201d (NEW URBAN PLANNING OF TORINO)<\/p>\n
.\u00a0 REBUILDING \u201cCIOTAT\u201d COAST AT MARSIGLIA<\/p>\n
.\u00a0 BUSINESS TOWER AT POLO TECNOCITY PIRELLI BICOCCA MILANO<\/p>\n
.\u00a0 LOCAL CENTRAL FOR WASTE DISPODAL \u201cCA\u2019 DEL BUE \u201d AT VERONA<\/p>\n
.\u00a0 VALDARNO HOSPITAL
\n. \u201cOPERATION ETOILE-DOSSIER\u00a0DE CREATION\u00a0 Z.A.C.\u201d STRASBURGO<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>\n
JOURNALISM<\/strong><\/h5>\n\n\n\n1990<\/td>\n VILLEGIARDINI N.248: \u201cCOSTRUIRE CON L\u2019ACCIAIO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1990<\/td>\n VILLEGIARDINI N.249: \u201cCOSTRUIRE CON IL CEMENTO ARMATO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1990<\/td>\n VILLEGIARDINI N.250: \u201cLA PIETRA, IL MATTONE, IL BLOCCO NELLE COSTRUZIONI\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1990<\/td>\n VILLEGIARDINI N.251: \u201cCOSTRUIRE CON IL LEGNO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.257: \u201cPAVIMENTI CON LA PIETRA\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.258: \u201cPAVIMENTI IN LEGNO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.259: \u201cLEGNO PER IL TETTO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.260: \u201cMURARE CON L\u2019ARGILLA\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.261: \u201cPAVIMENTI IN CERAMICA\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1993<\/td>\n QA15: \u201cUN DIBATTITO SENZA POETA\u201d .\u00a0 EDIZIONI CITTASTUDI<\/td>\n<\/tr>\n \n1996<\/td>\n MEMBER OF THE EDITORIAL BOARD \u201cLUCE E DESIGN\u201d – EDITORE TECNICHENUOVE<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 QUALE VOLTO PER LA MILANO DEL 2000\u201d, 06\/02\/1996\u00a0 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 GLI AFFITTI TRA NUOVE PROPOSRE E VECCHIE ABITUDINI\u201d, 13\/02\/1996 \u00a0\u2013 \u00a0UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 UNA NUOVA POLITICA PER L\u2019EDILIZIA POPOLARE\u201d, 20\/02\/1996 – UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 TENDENZE E SCENARI DEL MERCATO IMMOBILIARE\u201d, 27\/02\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 LA CASA OGGI: QUALITA\u2019 DELLA VITA E QUALITA\u2019 DELL\u2019ABITARE\u201d, 05\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – SFRATTI COME FAR CHIAREZZA\u201d, 12\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – LA POLITICA DEI PATTI IN DEROGA\u201d, 19\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – IL PATRIMONIO IMMOBILIARE DEGLI ENTI PREVIDENZIALI: VENDITA O SVENDITA?\u201d, 26\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – VIVERE IN CITTA\u2019 O ABITARE NELL\u2019HINTERLAND?\u201d, 02\/04\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – MILANO: RILANCIO TRA PRESENTE E FUTURO\u201d 09\/04\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 1, 28\/10\/1996 \u2013 TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 2, 04\/11\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 3, 11\/11\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 4, 18\/10\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 5,\u00a0 25\/11 \/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 6,\u00a0 02\/12\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.7, 09\/12\/ 1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 8, 16\/12\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 9, 13\/01\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.10, 20\/01\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.12, 03\/02\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.13, 10\/02\/19 97- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.14, 17\/02\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.15, 24\/02\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.16, 03\/03\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.17, 10\/03\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.18, 17\/03\/1997 \u2013 TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.19, 24\/03\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.20, 07\/04\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.21, 14\/04\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.22,\u00a0 21\/04\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.24, 05\/05\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.26, 19\/05\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.27, 26\/05\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.28, 02\/06\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.29, 16\/06\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.30, 23\/06\/1997 – TELENOVA<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nDIDACTICS AND CONVENTIONS \u00a0<\/strong><\/h5>\n\n\n\n1990-2000<\/td>\n DIDACTICS, COURSE OF ARCHITECTUAL COMPOSITION III (Prof. Enrico Mantero) AND WORK FOR THE ARCHITECTUAL DEPARTMENT –\u00a0 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n LECTURER AT DESIGN WORKSHOP \u201cREDEVELOPING URBAN AREAS OF ATHENS FROM ACROPOLI TO PIREO HARBOUR \u201d – \u00a0POLITECNICO DI MILANO \/ POLITECNICO DI ATENE<\/td>\n<\/tr>\n \n1992<\/td>\n LECTURER AT WORKSHOP \u201cPROGETTI PER MILANO\u201d CONCERNING SCALO FARINI PROJECT – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cNATIONAL HISTORICAL MUSEUM OF ATHENS AND THE ANCIENTS FILOPAPPO WALLS\u201d –\u00a0\u00a0 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cPNICE, ANCIENT ASSEMBLY PLACE: MUSEUM FOR THE AGES OF THE GREEK ART AT ATHENS\u201d\u00a0\u00a0 – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cUNIVERSITY\/MUSEUM OF CERAMICO IN ATHENS: A JOINT BETWEEN ANCENT AND MODERN CITY\u201d –\u00a0 POLITECNICO DI MILANO .<\/td>\n<\/tr>\n \n1993<\/td>\n LECTURER \u201cWORKSHOP OF ARCHITECTURAL PROJECTS\u201d AT VILLA OLMO (COMO) \u2013 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n\u00a01993<\/td>\n SUPERVISOR AT \u201cINTERNATIONAL STUDY WORKSHOP ABOUT LIFE AND WORKS OF ERNESTO NATHAN ROGERS\u201d AT PICCOLO TEATRO OF MILANO.EDITING OF ACTS PUBLISHED IN \u201cERNESTO NATHAN ROGERS: TESTIMONIANZE E STUDI\u201d, ED. CITTASTUDI, MILANO<\/td>\n<\/tr>\n \n1994<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cURBAN DESIGN FOR LIEGI – HEADQUARTER OF EUREGIO\u201d – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1996<\/td>\n SPEAKER AT \u201cTHE ILLUMINATING ENGENEERING PROJECT FOR S. MARIA DEL FIORE CATHEDRAL\u2019S DOME IN FIRENZE\u201d, ILLUMINATING ENGINEERING CONVENTION, ORDER OF ENGINEERS OF TORINO\u00a0 .\u00a0 28\/03\/1996<\/td>\n<\/tr>\n \n1996<\/td>\n SPEAKER\u00a0 \u201cTHE ILLUMINATING ENGENEERING PROJECT FOR S. GIORGIO AL VELABRO CHURCH IN ROMA\u201d, ILLUMINATING ENGINEERING CONVENTION, \u00a0ORDER OF ENGINEERS OF TORINO\u00a0 .\u00a0\u00a0 04\/04\/1996<\/td>\n<\/tr>\n \n1998<\/td>\n SPEAKER \u201cLIGHTING DESIGN OF SALES POINT\u201d AT CASA DELLA CULTURA TRENTO, 10\/03\/1998<\/td>\n<\/tr>\n \n1999<\/td>\n LECTURER AT POST-GRADUATION MASTER IN \u201cLIGHTING DESIGN\u201d: \u201cLIGHT IN THE ARCHITECTURE\u201d AND \u201cLIGHT IN THE CITY PLANNING\u201d,\u00a0ACCADEMIA DI BELLE ARTI DI BRERA, MILANO\u00a0\u00a0 .<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>","protected":false},"excerpt":{"rendered":"
BARBARA VERONESI 1989 MASTER’S DEGREE IN ARCHITECTURE, POLITECNICO IN MILAN – (DEGREE\u00a0COURSE 4\/S\u00a0ARCHITECTURE AND ENGINEERING) VOTE: 100\/100 1990 PROFESSIONAL QUALIFYING EXAMINATION 1992 ENROLMENT TO ARCHITECT REGISTER 1994 ENROLMENT TO THE REGISTER OF TECHNICAL COURT EXPERTISE 1998 SECURITY MEASURES DIRECTOR IN THE BUILDING SITES UNDER THE CLAUSE D.L. 494\/96 1990-2001 collaboration at the project department of architecture of Politecnico in Milan as tutor at project seminars and supervisor graduation thesis. 1990-1992 works at studio Gregotti Associati International and at the same time takes part in international planning concourse and carries out journalistic activity in architectural magazines. In 1992 opens StudioVeronesi, head office in Milan, driving her attention to planning and site supervision of public works and in particular in the redevelopment of historical areas. At the same time, she has a specialization in Lighting Design, developing lighting projects for important Italian monuments, urban areas and lighting urban masterplan. Supervisor at conventions about illuminating engineering, university professor in specialistic Masters and art director in installations and personal exhibitions. She carries on the journalistic activity with the running and writing of TV programs about urban development. PROJECTS AND WORKS 1991 PRIVATE BUILDING RENOVATION AND INTERIOR DESIGN.\u00a0 BRESCIA 1993 \u00a0\u201cPAKY-M.350\u201d ARMCHAIR FOR CINEMA […]<\/p>\n","protected":false},"author":1,"featured_media":1390,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-center.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310"}],"collection":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/comments?post=1310"}],"version-history":[{"count":151,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions"}],"predecessor-version":[{"id":2833,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions\/2833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media\/1390"}],"wp:attachment":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media?parent=1310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
COLLABORATIONS<\/strong><\/h5>\n\n\n\n1990<\/td>\n PRELIMINARY DRAFT OF\u00a0 TARANTO GRANDE VIABILIT\u00c0 (SnamprogettiSud with arch. Giorgio Goggi)<\/td>\n<\/tr>\n \n1990<\/td>\n REBUILDING PROJECT AREA FORTE DI FUENTES .\u00a0 COMO (with arch. Giorgio Goggi)<\/td>\n<\/tr>\n \n1990<\/td>\n SOUND RESEARCH FOR BUILDINGS INVOLVED IN THE ISOPHONIC CURVES IF THE MALPENSA 2000 PROJECT (S.E.A\u00a0 Malpensa\/Centro Edile)<\/td>\n<\/tr>\n \n1991<\/td>\n CONTEST \u201cMILANO PROJECTS 1991\u201d : \u201cSCALO FARINI: THE SECOND LIMIT OF THE PARK. 4 CHARACHTERS IN GIANT ORDER\u201d (chief prof. Enrico Mantero\/prof. Luigi Chiara).DISPLAYED AT\u00a0 THE FAIR \u201cMILANO, PROGETTI PER UNA CITTA\u2019\u201d \u2013 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n CONTEST \u201cTHE IMPOSSIBLE PROJECT\u201d FOT THE REBUILFING OF THE EX- SUGAR FACTORY ERIDANIA IN PARMA, ORGANIZED BY ISTITUTO GRAMSCI (with arch.. Elisabetta Terragni) \u2013 WINNING PROJECT 2nd PRIZE<\/td>\n<\/tr>\n \n1992<\/td>\n INTERNATIONAL CONTEST ON INVITATION FOR THE ENGEENEERING OF THE DIRECTIONAL \u00a0AND FINANCIAL HEADQUARTER OF GARIBALDI-REPUBBLICA AREA ORGANIZED BY \u00a0COMUNE DI MILANO AND AIM (chief \u00a0prof. Giulio Redaelli).\u00a0 PUBLISHED IN \u201cPROGETTI PER MILANO \u2013 CONTEST FOR THE IDEAS OF DIRECTIONAL\u00a0 AND FINANCIAL HEADQUARTER OF GARIBALDI-REPUBBLICA AREA \u201d ED. ABITARE \u2013SEGESTA, MILANO 1992<\/td>\n<\/tr>\n \n1992<\/td>\n CONTEST \u201cREBUILIDING AND DEVELOPMENT OF LECCO \u00a0LAKESIDE\u201d (with arch. Elisabetta Terragni)<\/td>\n<\/tr>\n \n1992<\/td>\n EXECUTIVE PROJECT \u201cCASA DELLA RESISTENZA\u201d .VERBANIA (with Engeneer Mercandino)<\/td>\n<\/tr>\n \n1990 . 1992<\/td>\n COLLABORATION AT \u00a0STUDIO GREGOTTI ASSOCIATI INTERNATIONAL FOR THE FOLLOWING PROJECTS:<\/p>\n.\u00a0 POLITECNICO DI TORINO EXPANSION<\/p>\n
.\u00a0 SCIENCE DEPARTMENT AT STATE UNIVERISTY OF MILANO – POLO TECNOCITY PIRELLI BICOCCA<\/p>\n
.\u00a0 DETAILED PLAN \u201cSPINA CENTRALE\u201d (NEW URBAN PLANNING OF TORINO)<\/p>\n
.\u00a0 REBUILDING \u201cCIOTAT\u201d COAST AT MARSIGLIA<\/p>\n
.\u00a0 BUSINESS TOWER AT POLO TECNOCITY PIRELLI BICOCCA MILANO<\/p>\n
.\u00a0 LOCAL CENTRAL FOR WASTE DISPODAL \u201cCA\u2019 DEL BUE \u201d AT VERONA<\/p>\n
.\u00a0 VALDARNO HOSPITAL
\n. \u201cOPERATION ETOILE-DOSSIER\u00a0DE CREATION\u00a0 Z.A.C.\u201d STRASBURGO<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>\n
JOURNALISM<\/strong><\/h5>\n\n\n\n1990<\/td>\n VILLEGIARDINI N.248: \u201cCOSTRUIRE CON L\u2019ACCIAIO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1990<\/td>\n VILLEGIARDINI N.249: \u201cCOSTRUIRE CON IL CEMENTO ARMATO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1990<\/td>\n VILLEGIARDINI N.250: \u201cLA PIETRA, IL MATTONE, IL BLOCCO NELLE COSTRUZIONI\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1990<\/td>\n VILLEGIARDINI N.251: \u201cCOSTRUIRE CON IL LEGNO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.257: \u201cPAVIMENTI CON LA PIETRA\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.258: \u201cPAVIMENTI IN LEGNO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.259: \u201cLEGNO PER IL TETTO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.260: \u201cMURARE CON L\u2019ARGILLA\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.261: \u201cPAVIMENTI IN CERAMICA\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1993<\/td>\n QA15: \u201cUN DIBATTITO SENZA POETA\u201d .\u00a0 EDIZIONI CITTASTUDI<\/td>\n<\/tr>\n \n1996<\/td>\n MEMBER OF THE EDITORIAL BOARD \u201cLUCE E DESIGN\u201d – EDITORE TECNICHENUOVE<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 QUALE VOLTO PER LA MILANO DEL 2000\u201d, 06\/02\/1996\u00a0 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 GLI AFFITTI TRA NUOVE PROPOSRE E VECCHIE ABITUDINI\u201d, 13\/02\/1996 \u00a0\u2013 \u00a0UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 UNA NUOVA POLITICA PER L\u2019EDILIZIA POPOLARE\u201d, 20\/02\/1996 – UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 TENDENZE E SCENARI DEL MERCATO IMMOBILIARE\u201d, 27\/02\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 LA CASA OGGI: QUALITA\u2019 DELLA VITA E QUALITA\u2019 DELL\u2019ABITARE\u201d, 05\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – SFRATTI COME FAR CHIAREZZA\u201d, 12\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – LA POLITICA DEI PATTI IN DEROGA\u201d, 19\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – IL PATRIMONIO IMMOBILIARE DEGLI ENTI PREVIDENZIALI: VENDITA O SVENDITA?\u201d, 26\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – VIVERE IN CITTA\u2019 O ABITARE NELL\u2019HINTERLAND?\u201d, 02\/04\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – MILANO: RILANCIO TRA PRESENTE E FUTURO\u201d 09\/04\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 1, 28\/10\/1996 \u2013 TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 2, 04\/11\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 3, 11\/11\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 4, 18\/10\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 5,\u00a0 25\/11 \/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 6,\u00a0 02\/12\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.7, 09\/12\/ 1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 8, 16\/12\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 9, 13\/01\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.10, 20\/01\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.12, 03\/02\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.13, 10\/02\/19 97- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.14, 17\/02\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.15, 24\/02\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.16, 03\/03\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.17, 10\/03\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.18, 17\/03\/1997 \u2013 TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.19, 24\/03\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.20, 07\/04\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.21, 14\/04\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.22,\u00a0 21\/04\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.24, 05\/05\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.26, 19\/05\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.27, 26\/05\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.28, 02\/06\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.29, 16\/06\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.30, 23\/06\/1997 – TELENOVA<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nDIDACTICS AND CONVENTIONS \u00a0<\/strong><\/h5>\n\n\n\n1990-2000<\/td>\n DIDACTICS, COURSE OF ARCHITECTUAL COMPOSITION III (Prof. Enrico Mantero) AND WORK FOR THE ARCHITECTUAL DEPARTMENT –\u00a0 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n LECTURER AT DESIGN WORKSHOP \u201cREDEVELOPING URBAN AREAS OF ATHENS FROM ACROPOLI TO PIREO HARBOUR \u201d – \u00a0POLITECNICO DI MILANO \/ POLITECNICO DI ATENE<\/td>\n<\/tr>\n \n1992<\/td>\n LECTURER AT WORKSHOP \u201cPROGETTI PER MILANO\u201d CONCERNING SCALO FARINI PROJECT – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cNATIONAL HISTORICAL MUSEUM OF ATHENS AND THE ANCIENTS FILOPAPPO WALLS\u201d –\u00a0\u00a0 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cPNICE, ANCIENT ASSEMBLY PLACE: MUSEUM FOR THE AGES OF THE GREEK ART AT ATHENS\u201d\u00a0\u00a0 – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cUNIVERSITY\/MUSEUM OF CERAMICO IN ATHENS: A JOINT BETWEEN ANCENT AND MODERN CITY\u201d –\u00a0 POLITECNICO DI MILANO .<\/td>\n<\/tr>\n \n1993<\/td>\n LECTURER \u201cWORKSHOP OF ARCHITECTURAL PROJECTS\u201d AT VILLA OLMO (COMO) \u2013 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n\u00a01993<\/td>\n SUPERVISOR AT \u201cINTERNATIONAL STUDY WORKSHOP ABOUT LIFE AND WORKS OF ERNESTO NATHAN ROGERS\u201d AT PICCOLO TEATRO OF MILANO.EDITING OF ACTS PUBLISHED IN \u201cERNESTO NATHAN ROGERS: TESTIMONIANZE E STUDI\u201d, ED. CITTASTUDI, MILANO<\/td>\n<\/tr>\n \n1994<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cURBAN DESIGN FOR LIEGI – HEADQUARTER OF EUREGIO\u201d – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1996<\/td>\n SPEAKER AT \u201cTHE ILLUMINATING ENGENEERING PROJECT FOR S. MARIA DEL FIORE CATHEDRAL\u2019S DOME IN FIRENZE\u201d, ILLUMINATING ENGINEERING CONVENTION, ORDER OF ENGINEERS OF TORINO\u00a0 .\u00a0 28\/03\/1996<\/td>\n<\/tr>\n \n1996<\/td>\n SPEAKER\u00a0 \u201cTHE ILLUMINATING ENGENEERING PROJECT FOR S. GIORGIO AL VELABRO CHURCH IN ROMA\u201d, ILLUMINATING ENGINEERING CONVENTION, \u00a0ORDER OF ENGINEERS OF TORINO\u00a0 .\u00a0\u00a0 04\/04\/1996<\/td>\n<\/tr>\n \n1998<\/td>\n SPEAKER \u201cLIGHTING DESIGN OF SALES POINT\u201d AT CASA DELLA CULTURA TRENTO, 10\/03\/1998<\/td>\n<\/tr>\n \n1999<\/td>\n LECTURER AT POST-GRADUATION MASTER IN \u201cLIGHTING DESIGN\u201d: \u201cLIGHT IN THE ARCHITECTURE\u201d AND \u201cLIGHT IN THE CITY PLANNING\u201d,\u00a0ACCADEMIA DI BELLE ARTI DI BRERA, MILANO\u00a0\u00a0 .<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>","protected":false},"excerpt":{"rendered":"
BARBARA VERONESI 1989 MASTER’S DEGREE IN ARCHITECTURE, POLITECNICO IN MILAN – (DEGREE\u00a0COURSE 4\/S\u00a0ARCHITECTURE AND ENGINEERING) VOTE: 100\/100 1990 PROFESSIONAL QUALIFYING EXAMINATION 1992 ENROLMENT TO ARCHITECT REGISTER 1994 ENROLMENT TO THE REGISTER OF TECHNICAL COURT EXPERTISE 1998 SECURITY MEASURES DIRECTOR IN THE BUILDING SITES UNDER THE CLAUSE D.L. 494\/96 1990-2001 collaboration at the project department of architecture of Politecnico in Milan as tutor at project seminars and supervisor graduation thesis. 1990-1992 works at studio Gregotti Associati International and at the same time takes part in international planning concourse and carries out journalistic activity in architectural magazines. In 1992 opens StudioVeronesi, head office in Milan, driving her attention to planning and site supervision of public works and in particular in the redevelopment of historical areas. At the same time, she has a specialization in Lighting Design, developing lighting projects for important Italian monuments, urban areas and lighting urban masterplan. Supervisor at conventions about illuminating engineering, university professor in specialistic Masters and art director in installations and personal exhibitions. She carries on the journalistic activity with the running and writing of TV programs about urban development. PROJECTS AND WORKS 1991 PRIVATE BUILDING RENOVATION AND INTERIOR DESIGN.\u00a0 BRESCIA 1993 \u00a0\u201cPAKY-M.350\u201d ARMCHAIR FOR CINEMA […]<\/p>\n","protected":false},"author":1,"featured_media":1390,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-center.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310"}],"collection":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/comments?post=1310"}],"version-history":[{"count":151,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions"}],"predecessor-version":[{"id":2833,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions\/2833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media\/1390"}],"wp:attachment":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media?parent=1310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
.\u00a0 POLITECNICO DI TORINO EXPANSION<\/p>\n
.\u00a0 SCIENCE DEPARTMENT AT STATE UNIVERISTY OF MILANO – POLO TECNOCITY PIRELLI BICOCCA<\/p>\n
.\u00a0 DETAILED PLAN \u201cSPINA CENTRALE\u201d (NEW URBAN PLANNING OF TORINO)<\/p>\n
.\u00a0 REBUILDING \u201cCIOTAT\u201d COAST AT MARSIGLIA<\/p>\n
.\u00a0 BUSINESS TOWER AT POLO TECNOCITY PIRELLI BICOCCA MILANO<\/p>\n
.\u00a0 LOCAL CENTRAL FOR WASTE DISPODAL \u201cCA\u2019 DEL BUE \u201d AT VERONA<\/p>\n
.\u00a0 VALDARNO HOSPITAL
\n. \u201cOPERATION ETOILE-DOSSIER\u00a0DE CREATION\u00a0 Z.A.C.\u201d STRASBURGO<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/p>\n
JOURNALISM<\/strong><\/h5>\n\n\n\n1990<\/td>\n VILLEGIARDINI N.248: \u201cCOSTRUIRE CON L\u2019ACCIAIO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1990<\/td>\n VILLEGIARDINI N.249: \u201cCOSTRUIRE CON IL CEMENTO ARMATO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1990<\/td>\n VILLEGIARDINI N.250: \u201cLA PIETRA, IL MATTONE, IL BLOCCO NELLE COSTRUZIONI\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1990<\/td>\n VILLEGIARDINI N.251: \u201cCOSTRUIRE CON IL LEGNO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.257: \u201cPAVIMENTI CON LA PIETRA\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.258: \u201cPAVIMENTI IN LEGNO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.259: \u201cLEGNO PER IL TETTO\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.260: \u201cMURARE CON L\u2019ARGILLA\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1991<\/td>\n VILLEGIARDINI N.261: \u201cPAVIMENTI IN CERAMICA\u201d .\u00a0 ELEMOND PERIODICI<\/td>\n<\/tr>\n \n1993<\/td>\n QA15: \u201cUN DIBATTITO SENZA POETA\u201d .\u00a0 EDIZIONI CITTASTUDI<\/td>\n<\/tr>\n \n1996<\/td>\n MEMBER OF THE EDITORIAL BOARD \u201cLUCE E DESIGN\u201d – EDITORE TECNICHENUOVE<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 QUALE VOLTO PER LA MILANO DEL 2000\u201d, 06\/02\/1996\u00a0 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 GLI AFFITTI TRA NUOVE PROPOSRE E VECCHIE ABITUDINI\u201d, 13\/02\/1996 \u00a0\u2013 \u00a0UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 UNA NUOVA POLITICA PER L\u2019EDILIZIA POPOLARE\u201d, 20\/02\/1996 – UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 TENDENZE E SCENARI DEL MERCATO IMMOBILIARE\u201d, 27\/02\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 \u2013 LA CASA OGGI: QUALITA\u2019 DELLA VITA E QUALITA\u2019 DELL\u2019ABITARE\u201d, 05\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – SFRATTI COME FAR CHIAREZZA\u201d, 12\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – LA POLITICA DEI PATTI IN DEROGA\u201d, 19\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – IL PATRIMONIO IMMOBILIARE DEGLI ENTI PREVIDENZIALI: VENDITA O SVENDITA?\u201d, 26\/03\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – VIVERE IN CITTA\u2019 O ABITARE NELL\u2019HINTERLAND?\u201d, 02\/04\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCOSTRUTTORI DI CITTA\u2019 – MILANO: RILANCIO TRA PRESENTE E FUTURO\u201d 09\/04\/1996 \u2013 UNICA LOMBARDIA, CHANNEL 55, TLC TELECAMPIONE, VB VIDEOBROADCASTING<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 1, 28\/10\/1996 \u2013 TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 2, 04\/11\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 3, 11\/11\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 4, 18\/10\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 5,\u00a0 25\/11 \/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 6,\u00a0 02\/12\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.7, 09\/12\/ 1996 – TELENOVA<\/td>\n<\/tr>\n \n1996<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 8, 16\/12\/1996 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n. 9, 13\/01\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.10, 20\/01\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.12, 03\/02\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.13, 10\/02\/19 97- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.14, 17\/02\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.15, 24\/02\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.16, 03\/03\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.17, 10\/03\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.18, 17\/03\/1997 \u2013 TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.19, 24\/03\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.20, 07\/04\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.21, 14\/04\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.22,\u00a0 21\/04\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.24, 05\/05\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.26, 19\/05\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.27, 26\/05\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.28, 02\/06\/1997 – TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.29, 16\/06\/1997- TELENOVA<\/td>\n<\/tr>\n \n1997<\/td>\n TELEVISION ANCHOR AND WRITER: \u201cCASA, CITTA\u2019, SOCIETA\u2019\u201d n.30, 23\/06\/1997 – TELENOVA<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nDIDACTICS AND CONVENTIONS \u00a0<\/strong><\/h5>\n\n\n\n1990-2000<\/td>\n DIDACTICS, COURSE OF ARCHITECTUAL COMPOSITION III (Prof. Enrico Mantero) AND WORK FOR THE ARCHITECTUAL DEPARTMENT –\u00a0 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n LECTURER AT DESIGN WORKSHOP \u201cREDEVELOPING URBAN AREAS OF ATHENS FROM ACROPOLI TO PIREO HARBOUR \u201d – \u00a0POLITECNICO DI MILANO \/ POLITECNICO DI ATENE<\/td>\n<\/tr>\n \n1992<\/td>\n LECTURER AT WORKSHOP \u201cPROGETTI PER MILANO\u201d CONCERNING SCALO FARINI PROJECT – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cNATIONAL HISTORICAL MUSEUM OF ATHENS AND THE ANCIENTS FILOPAPPO WALLS\u201d –\u00a0\u00a0 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cPNICE, ANCIENT ASSEMBLY PLACE: MUSEUM FOR THE AGES OF THE GREEK ART AT ATHENS\u201d\u00a0\u00a0 – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cUNIVERSITY\/MUSEUM OF CERAMICO IN ATHENS: A JOINT BETWEEN ANCENT AND MODERN CITY\u201d –\u00a0 POLITECNICO DI MILANO .<\/td>\n<\/tr>\n \n1993<\/td>\n LECTURER \u201cWORKSHOP OF ARCHITECTURAL PROJECTS\u201d AT VILLA OLMO (COMO) \u2013 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n\u00a01993<\/td>\n SUPERVISOR AT \u201cINTERNATIONAL STUDY WORKSHOP ABOUT LIFE AND WORKS OF ERNESTO NATHAN ROGERS\u201d AT PICCOLO TEATRO OF MILANO.EDITING OF ACTS PUBLISHED IN \u201cERNESTO NATHAN ROGERS: TESTIMONIANZE E STUDI\u201d, ED. CITTASTUDI, MILANO<\/td>\n<\/tr>\n \n1994<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cURBAN DESIGN FOR LIEGI – HEADQUARTER OF EUREGIO\u201d – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1996<\/td>\n SPEAKER AT \u201cTHE ILLUMINATING ENGENEERING PROJECT FOR S. MARIA DEL FIORE CATHEDRAL\u2019S DOME IN FIRENZE\u201d, ILLUMINATING ENGINEERING CONVENTION, ORDER OF ENGINEERS OF TORINO\u00a0 .\u00a0 28\/03\/1996<\/td>\n<\/tr>\n \n1996<\/td>\n SPEAKER\u00a0 \u201cTHE ILLUMINATING ENGENEERING PROJECT FOR S. GIORGIO AL VELABRO CHURCH IN ROMA\u201d, ILLUMINATING ENGINEERING CONVENTION, \u00a0ORDER OF ENGINEERS OF TORINO\u00a0 .\u00a0\u00a0 04\/04\/1996<\/td>\n<\/tr>\n \n1998<\/td>\n SPEAKER \u201cLIGHTING DESIGN OF SALES POINT\u201d AT CASA DELLA CULTURA TRENTO, 10\/03\/1998<\/td>\n<\/tr>\n \n1999<\/td>\n LECTURER AT POST-GRADUATION MASTER IN \u201cLIGHTING DESIGN\u201d: \u201cLIGHT IN THE ARCHITECTURE\u201d AND \u201cLIGHT IN THE CITY PLANNING\u201d,\u00a0ACCADEMIA DI BELLE ARTI DI BRERA, MILANO\u00a0\u00a0 .<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>","protected":false},"excerpt":{"rendered":"
BARBARA VERONESI 1989 MASTER’S DEGREE IN ARCHITECTURE, POLITECNICO IN MILAN – (DEGREE\u00a0COURSE 4\/S\u00a0ARCHITECTURE AND ENGINEERING) VOTE: 100\/100 1990 PROFESSIONAL QUALIFYING EXAMINATION 1992 ENROLMENT TO ARCHITECT REGISTER 1994 ENROLMENT TO THE REGISTER OF TECHNICAL COURT EXPERTISE 1998 SECURITY MEASURES DIRECTOR IN THE BUILDING SITES UNDER THE CLAUSE D.L. 494\/96 1990-2001 collaboration at the project department of architecture of Politecnico in Milan as tutor at project seminars and supervisor graduation thesis. 1990-1992 works at studio Gregotti Associati International and at the same time takes part in international planning concourse and carries out journalistic activity in architectural magazines. In 1992 opens StudioVeronesi, head office in Milan, driving her attention to planning and site supervision of public works and in particular in the redevelopment of historical areas. At the same time, she has a specialization in Lighting Design, developing lighting projects for important Italian monuments, urban areas and lighting urban masterplan. Supervisor at conventions about illuminating engineering, university professor in specialistic Masters and art director in installations and personal exhibitions. She carries on the journalistic activity with the running and writing of TV programs about urban development. PROJECTS AND WORKS 1991 PRIVATE BUILDING RENOVATION AND INTERIOR DESIGN.\u00a0 BRESCIA 1993 \u00a0\u201cPAKY-M.350\u201d ARMCHAIR FOR CINEMA […]<\/p>\n","protected":false},"author":1,"featured_media":1390,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-center.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310"}],"collection":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/comments?post=1310"}],"version-history":[{"count":151,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions"}],"predecessor-version":[{"id":2833,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions\/2833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media\/1390"}],"wp:attachment":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media?parent=1310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
DIDACTICS AND CONVENTIONS \u00a0<\/strong><\/h5>\n\n\n\n1990-2000<\/td>\n DIDACTICS, COURSE OF ARCHITECTUAL COMPOSITION III (Prof. Enrico Mantero) AND WORK FOR THE ARCHITECTUAL DEPARTMENT –\u00a0 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n LECTURER AT DESIGN WORKSHOP \u201cREDEVELOPING URBAN AREAS OF ATHENS FROM ACROPOLI TO PIREO HARBOUR \u201d – \u00a0POLITECNICO DI MILANO \/ POLITECNICO DI ATENE<\/td>\n<\/tr>\n \n1992<\/td>\n LECTURER AT WORKSHOP \u201cPROGETTI PER MILANO\u201d CONCERNING SCALO FARINI PROJECT – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cNATIONAL HISTORICAL MUSEUM OF ATHENS AND THE ANCIENTS FILOPAPPO WALLS\u201d –\u00a0\u00a0 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cPNICE, ANCIENT ASSEMBLY PLACE: MUSEUM FOR THE AGES OF THE GREEK ART AT ATHENS\u201d\u00a0\u00a0 – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1992<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cUNIVERSITY\/MUSEUM OF CERAMICO IN ATHENS: A JOINT BETWEEN ANCENT AND MODERN CITY\u201d –\u00a0 POLITECNICO DI MILANO .<\/td>\n<\/tr>\n \n1993<\/td>\n LECTURER \u201cWORKSHOP OF ARCHITECTURAL PROJECTS\u201d AT VILLA OLMO (COMO) \u2013 POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n\u00a01993<\/td>\n SUPERVISOR AT \u201cINTERNATIONAL STUDY WORKSHOP ABOUT LIFE AND WORKS OF ERNESTO NATHAN ROGERS\u201d AT PICCOLO TEATRO OF MILANO.EDITING OF ACTS PUBLISHED IN \u201cERNESTO NATHAN ROGERS: TESTIMONIANZE E STUDI\u201d, ED. CITTASTUDI, MILANO<\/td>\n<\/tr>\n \n1994<\/td>\n ASSISTANT SUPERVISOR FINAL DISSERTATION \u201cURBAN DESIGN FOR LIEGI – HEADQUARTER OF EUREGIO\u201d – POLITECNICO DI MILANO<\/td>\n<\/tr>\n \n1996<\/td>\n SPEAKER AT \u201cTHE ILLUMINATING ENGENEERING PROJECT FOR S. MARIA DEL FIORE CATHEDRAL\u2019S DOME IN FIRENZE\u201d, ILLUMINATING ENGINEERING CONVENTION, ORDER OF ENGINEERS OF TORINO\u00a0 .\u00a0 28\/03\/1996<\/td>\n<\/tr>\n \n1996<\/td>\n SPEAKER\u00a0 \u201cTHE ILLUMINATING ENGENEERING PROJECT FOR S. GIORGIO AL VELABRO CHURCH IN ROMA\u201d, ILLUMINATING ENGINEERING CONVENTION, \u00a0ORDER OF ENGINEERS OF TORINO\u00a0 .\u00a0\u00a0 04\/04\/1996<\/td>\n<\/tr>\n \n1998<\/td>\n SPEAKER \u201cLIGHTING DESIGN OF SALES POINT\u201d AT CASA DELLA CULTURA TRENTO, 10\/03\/1998<\/td>\n<\/tr>\n \n1999<\/td>\n LECTURER AT POST-GRADUATION MASTER IN \u201cLIGHTING DESIGN\u201d: \u201cLIGHT IN THE ARCHITECTURE\u201d AND \u201cLIGHT IN THE CITY PLANNING\u201d,\u00a0ACCADEMIA DI BELLE ARTI DI BRERA, MILANO\u00a0\u00a0 .<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>","protected":false},"excerpt":{"rendered":"
BARBARA VERONESI 1989 MASTER’S DEGREE IN ARCHITECTURE, POLITECNICO IN MILAN – (DEGREE\u00a0COURSE 4\/S\u00a0ARCHITECTURE AND ENGINEERING) VOTE: 100\/100 1990 PROFESSIONAL QUALIFYING EXAMINATION 1992 ENROLMENT TO ARCHITECT REGISTER 1994 ENROLMENT TO THE REGISTER OF TECHNICAL COURT EXPERTISE 1998 SECURITY MEASURES DIRECTOR IN THE BUILDING SITES UNDER THE CLAUSE D.L. 494\/96 1990-2001 collaboration at the project department of architecture of Politecnico in Milan as tutor at project seminars and supervisor graduation thesis. 1990-1992 works at studio Gregotti Associati International and at the same time takes part in international planning concourse and carries out journalistic activity in architectural magazines. In 1992 opens StudioVeronesi, head office in Milan, driving her attention to planning and site supervision of public works and in particular in the redevelopment of historical areas. At the same time, she has a specialization in Lighting Design, developing lighting projects for important Italian monuments, urban areas and lighting urban masterplan. Supervisor at conventions about illuminating engineering, university professor in specialistic Masters and art director in installations and personal exhibitions. She carries on the journalistic activity with the running and writing of TV programs about urban development. PROJECTS AND WORKS 1991 PRIVATE BUILDING RENOVATION AND INTERIOR DESIGN.\u00a0 BRESCIA 1993 \u00a0\u201cPAKY-M.350\u201d ARMCHAIR FOR CINEMA […]<\/p>\n","protected":false},"author":1,"featured_media":1390,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-center.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310"}],"collection":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/comments?post=1310"}],"version-history":[{"count":151,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions"}],"predecessor-version":[{"id":2833,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions\/2833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media\/1390"}],"wp:attachment":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media?parent=1310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>","protected":false},"excerpt":{"rendered":"
BARBARA VERONESI 1989 MASTER’S DEGREE IN ARCHITECTURE, POLITECNICO IN MILAN – (DEGREE\u00a0COURSE 4\/S\u00a0ARCHITECTURE AND ENGINEERING) VOTE: 100\/100 1990 PROFESSIONAL QUALIFYING EXAMINATION 1992 ENROLMENT TO ARCHITECT REGISTER 1994 ENROLMENT TO THE REGISTER OF TECHNICAL COURT EXPERTISE 1998 SECURITY MEASURES DIRECTOR IN THE BUILDING SITES UNDER THE CLAUSE D.L. 494\/96 1990-2001 collaboration at the project department of architecture of Politecnico in Milan as tutor at project seminars and supervisor graduation thesis. 1990-1992 works at studio Gregotti Associati International and at the same time takes part in international planning concourse and carries out journalistic activity in architectural magazines. In 1992 opens StudioVeronesi, head office in Milan, driving her attention to planning and site supervision of public works and in particular in the redevelopment of historical areas. At the same time, she has a specialization in Lighting Design, developing lighting projects for important Italian monuments, urban areas and lighting urban masterplan. Supervisor at conventions about illuminating engineering, university professor in specialistic Masters and art director in installations and personal exhibitions. She carries on the journalistic activity with the running and writing of TV programs about urban development. PROJECTS AND WORKS 1991 PRIVATE BUILDING RENOVATION AND INTERIOR DESIGN.\u00a0 BRESCIA 1993 \u00a0\u201cPAKY-M.350\u201d ARMCHAIR FOR CINEMA […]<\/p>\n","protected":false},"author":1,"featured_media":1390,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-center.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310"}],"collection":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/comments?post=1310"}],"version-history":[{"count":151,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions"}],"predecessor-version":[{"id":2833,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions\/2833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media\/1390"}],"wp:attachment":[{"href":"https:\/\/architettoveronesi.it\/en\/wp-json\/wp\/v2\/media?parent=1310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}